THE ERA OF SHAH ABDUL AZIM MIGRATED TO IRAN

The blessed holy place of Abdul Azim (peace arrive) just like the different super and understood sanctums at the start constructed from a hallowed place constructing or the essential part yet bit by bit amid loads of years trade structures and addendums had been protected and this super complex-comprising the holy locations, mosques, and other relative works, as an example, the two tombs of Imamzadeh Hamzeh (P) and Imamzadeh Taher (P) changed into made the primary and first working of this sanctuary changed into reproduced by way of Mohammad son of Zeid Daei Alavi within the mid-third century inside the northern facet turned into first completed through Al-e-Booyah at that point was more suitable via Majd-ul-Molk-e-Qumi
ARCHITECTURE OF SHAH TAHMSAB E SAFAVID
The low piece of the sanctum is a quadrilateral(rectangular) with 8m each aspect and like different Saljuqian systems 4 squinches (sloping barrel vault) are made at the four quoins(corners) framing octagon at the higher aspect the octagonal element with the aid of building little vaults hexadecimal(then are 16 sided) is made if you want to make a cupola(dome) which makes the dome covering(dressing) viable. (in the holy place is decorated with mirror works).The notable front of the sanctuary dome comprising the 'round barrel vault and the upper dome along its excessive drummed cone fashioned shape frame, has been modified through Shah Tahmasb-e-Safavid.
CONSTRUCTION OF BALTHASAR MOSQUE AND MOSQUE FOR GIRLS
In Moharram(944 Hegira) Shah Tahmasb asked the working of the primary veranda(portico) of the sanctuary and later within the following Safavid's certainly else's period, the essential patio and its northern Mosque, the veranda and Balasar Mosque, and the girl's Mosque within the north, west and of the holy area.
ERA OF QAJARID TECHNOLOGY
In Qajar period(1211-1250 Hegira) the silver sanctuary of Hazrat-e-Abdul Azim was worked of which a part of the epigraph is presently introduced in the first place in the gift hallowed area that's made by means of Ostad Gulam Hussein-e Eglima and Haj Mohammad Saniea Khatam(1337 to1340 sunlight primarily based Hegira).
in the length between 1299 to1320(solar Hegira) amid Qajarid time tiling adornment, reflect working giving and introducing portray entryways, trimmed works, raised works and reproduction of the sanctum, assembling the high minarets(spires), confront layout of the number one patio and the opposite patios of the holy location vault with copper tiles and the 2 excessive minarets have been actualized in 1270(Hegira).
The maximum seasoned work determined in the present working of the sanctum is the block over entryway which changed into made in Saljuqid times by Majdul Molk Qumi(495-498 Hegira). considering the attributes of the works in Saljuqid time we will reason that the running of the tomb is even before the 5th century(Hegira) and probably it's far labored in a period between the fourth and the fifth century the antique' over entryway' and gateway of the tomb backyard changed into in the north aspect and further the present one.
The building of the Bazaar, the new court docket-yard, the stalls and verandas around the brand new court docket-backyard, the massive mirror veranda and the two large shoe chamber around it. The Amin Sultan school constructing in the northeast side of the court docket-backyard, Jerian garden inside the west of the shrine, Tooti lawn within the west of the large courtroom-yard and ultimately the tomb constructing and the big cupola(dome) of the Imamzadeh Taher(P) and the fundamental trade inside the shrine of Hazrat-e- Shah Abdul Azim turned into finished in Qajarid technology.
BEAUTIFUL ARCHITECTURE IN 5TH CENTURY OF NIGERIA.
The vintage 'over entryway' (labored in 945 Hegira) and the iron door(likely has a place with 5th century of Hegira), beforehand situated in southwest corner of Imamzadeh Hamzeh's backyard, is the other mentionable true work, The date of the building(945 Hegira) consists in'' Solth''on the mosaic tile engraving in white shading in a dull and blue ground and turquoise shading forward frieze(margins) and furthermore blooms and shrubberies and shading full arabesque(Eslami).





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